Paul Sánchez performing NEFERTARI, for soprano doubling on sistrum and prepared piano with plectrum. I’d like to share a few words about...

Writing for the piano offers almost limitless possibilities for the composer. This is an introductory overview of writing for the piano.

The care with which Victoria worked is illustrated in his text setting in the motet "O magnum mysterium" and the "Missa O magnum mysterium."

I hope that Lorca’s intimate and innate understanding of Deep Song may help us to more deeply identify with the music...

Written words may live forever, as vital now as at the moment of their creation...

...is music not exactly such a liminal space, and does it not have the power to bridge worlds?

I’m honored to share this new music by Graham Lynch with the world for the first time, and to be a part of its story.

What is the imagination of trees?


...Taliesin can offer the musical poet of today a repository of knowledge with which to explore his inner-self...

Sappho, then, emerges as a figure of hope for us here, today.

The overall narrative trajectory in Horizon is one that emphasizes our human journey back to those very same stars.

These are the ten poems by Dr. Harlan Payne that I set in "Horizon: for Harlan."

Every now and then a piece of music is created that opens a door into a new aesthetic area.

My intention was to capture the multivalent and subtle yet emotionally profound nature of Dr. Taylor’s translations of Li Ch'ing Chao.

I was aiming throughout at communicating in English, with music, some of what I have found almost breathtakingly beautiful.

This paper draws upon Jacques Derrida’s concept of “hauntology” and Sigmund Freud’s concept of the “uncanny” to interpret Sánchez’s cycle.